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Audio Technology for Music Educators  

This four-hour program provides an introduction to music production and how to set up a sound system for live performance, what quality audio is, and the value of mixing the audio for the best results. The final session is a hands-on experience led by professionals in the music industry.

This Pre-conference event will take place at McCormick Place West in Chicago, IL on Tuesday, December 15 from 1:00 PM - 5:00 PM CT.  

 

Who Should Attend?

This workshop is for music educators at all levels, from small classroom instruction to music production programs or touring music ensembles. The benefits of knowing what comprises quality audio, how to maximize the quality of the sound systems you use, and how to utilize music production in your music program are universal for all music educators. The hands-on opportunity provides the experience to learn about audio and how to use music/audio technology in your classrooms.

Attendees will be able to add registration for this event at the end of their Midwest Clinic Conference Registration.  Due to limited seating, only Professional and College Student registrants are eligible to attend.  Conference registration opens August 1st.

 

 

Registration Fees: 

  • Directors $100
  • College Students $50

 

Tentative Schedule

1:00 - 2:00 PM: Session 1 - Deconstructing Steely Dan: Recording Fundamentals for Your Students

Presented by Mike Lawson
A compelling examination of Roger Nichols’ revolutionary recording techniques, using original Steely Dan multitracks from Gaucho, Aja, and Donald Fagen’s The Nightfly. Mike Lawson (TI:ME’s executive director, who compiled Nichol’s posthumous work, The Roger Nichols Recording Method) demonstrates the meticulous work behind these legendary albums, unpacking engineering principles and sonic benchmarks that shaped their sound. This session provides educators and students with takeaway techniques and mindsets to pursue musical and sonic excellence, bridging iconic professional standards with classroom-ready concepts.

2:00 - 3:00 PM: Session 2 - Live Sound & Recording: More Than Just Plugs and Faders

Presented by Mark Lochstampfor
Music educators are often asked to operate the live sound equipment and record school events, but frequently lack the necessary training to do so. After all, they are music educators, not audio engineers. This session will demonstrate how to set a sound system in a performance space, with demonstrations of gain-staging, “pinking” the room, how to use compression, what the difference is between reverb and delay, what a gate is, etc. The session will also include explanations and audio examples of the recording sample rates and bit depth.

3:00 - 4:00 PM: Session 3 - Teaching Intonation with Technology

 Presented by Robby Burns
Learn how to teach your students to play in tune by taking advantage of the features of hardware and software like the Yamaha Harmony Director and the Tonal Energy tuning app. This session details a comprehensive methodology for teaching your students how to play in tune using their ears, not their eyes. The session will overview the primary features of these technologies as they relate to playing with a beautiful tone and intonation. Features include: single and polyphonic tuning drones, modeling just intonation in chords and melody, visualizing pitch, and more!

4:00 - 5:00 PM: Session 4 -Technology Petting Zoo

 


 

Clinicians

Robby Burns is a music educator, freelance percussionist, and technology specialist residing in Ellicott City, Maryland.

Robby's teaching experience ranges from elementary school through university ensembles. He is currently an employee of the Howard County Public School System where he teaches band and general music at Ellicott Mills Middle School and has directed the HCPSS Middle School GT Honor Band.

Robby maintains a thriving private percussion teaching studio out of his home with students who have gone on to pursue music degrees, perform professionally, enter varying roles in the music industry, and participate in state and district honor ensembles. He is frequently invited to serve as an adjudicator, arranger, and clinician for schools and music organizations throughout the region.

Robby is the recipient of the 2025 Mike Kovins Technology in Music Education (TI:ME) Teacher of the Year award.

Robby has presented sessions at music education conferences all over the country on the subjects of band and orchestra directing, music production tools, productivity software, and their connection to creativity in the music classroom. Robby's first book, Digital Organization Tips for Music Teachers, published by Oxford University Press, is available now. He writes and speaks about music, education, and technology on his blog and podcast, Music Ed Tech Talk.

As a freelance percussionist, Robby is comfortable with all styles, specifically including orchestral, musical theater, opera, chamber, rock, and jazz. He has performed with the Signature Theatre, Studio Theatre, Opera Camerata of Washington, D.C., and the Baltimore Symphony Orchestra under such conductors as Marin Alsop and Lorin Maazel. Robby has also worked with a variety of local music projects including rock cello quartet, Primitivity and nine-piece funk band, The Superland Stage Band.

Robby holds a Bachelor of Music Education and Masters of Music from the University of Maryland, College Park, where he studied orchestral percussion with Tony Ames (NSO) and timpani with John Tafoya and Benjamin Ramirez (both former NSO). He has also benefited from the instruction of Steve Fidyk (Army Blues Band) and Janis Potter (solo marimba artist). During his time at UMD he also devoted attention toward orchestration, theory, conducting, and jazz arranging.

Robby is a Nationally Board Certified Teacher. He is a member of the National Association for Music Education, the Percussive Arts Society, the Maryland Music Educators Association, and TI:ME, the national organization for Technology in Music Education.

He serves as a Member-at-Large on the TI:ME Board of Directors and as Technology Chair for the Maryland Music Educators Association’s Executive Board.

 

 

Mark Lochstampfor holds a Ph.D in Music Theory from Ohio State University and is Professor Emeritus of music at Capital University, where he taught composition, music technology, Rock History, Acoustics, and founded one of the first collegiate Rock ensembles for academic credit. He has publications with McGraw-Hill, Augsburg Press, Indiana University Press, and Lochlyn Media. He is the Executive Director of the Society of Pi Kappa Lambda (the College Music Honor Society), and serves on the board of the Technology in Music Education (TI:ME) as the VP and Conference Chair.

 

 

 

 

Will Kuhn is a Cincinnati-based music technology teacher, producer and author focused on revitalizing the field of music education using the latest creative tools. 
Will serves as instructor of music technology at the University of Cincinnati College-Conservatory of Music, and at Lebanon High School in Lebanon, OH. In 2006, he designed an innovative high school music tech curriculum focused on amateur music production, which involves over 300 students annually. His lab-based courses and student projects are regularly featured at regional music education events. He was named TI:ME (Technology in Music Education) Teacher of the Year in 2015, and currently serves as the organization’s national president. His books, Electronic Music School (with Ethan Hein) and Interactive Composition (with VJ Manzo) are widely used by producers and instructors teaching electronic music production. Nationally, he gives clinics and workshops on revitalizing school music programs for the 21st century.

 

 


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