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Pre-registration is now open. Click the button below to pre-register for the conference.

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The 2016 registration is now open. Pre-registration rates are as follows:
$120 Early Bird Director Rate
Through Sept. 23rd
$150 Pre-conference Director Rate
Through Dec. 2nd
$85 First Time Attendee Rate
Through Dec. 2nd
$50 College Student Rate
Through Dec. 2nd


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Midwest Clinic is now taking requests for event space at the Hyatt McCormick Place and Hilton Chicago.

Applications

Applications to perform or to propose a clinic at the 68th Annual Midwest Clinic are now available!

Clinic Application Performer Application Exhibitor Contract Advertiser Contract Event Request Form

Eat Your Vegetables and Practice Your Scales! Scales Are the Spinach of Left-Hand Technique

  • thumbnail for Kathleen Brungard
  • How can we bring about the understanding of scale and arpeggio study as the basis of left-hand technique, strength and flexibility? How can we make scales and arpeggios interesting and challenging for students? How can we truly relate student understanding of scales and arpeggios to the performance music they are preparing? DeBerry Brungard will explore these questions and provide suggestions for all levels of performance expertise. Let’s move from “yucky” to “gourmet!”
  • Kathleen Brungard (kbrung@aol.com)
  • 12/18/2013 04:00 PM - N/A
  • W184
  • Kathleen DeBerry Brungard Kathleen DeBerry Brungard holds degrees in music education from Wesleyan College and Northwestern University. She holds an Educational Administration Certificate from the University of North Texas. She has taught orchestra/strings, grades 3-12, in the public schools of Georgia, Arizona, Nevada, and Texas and orchestra/band in California. Many of her elementary and secondary orchestras have performed for national, regional and state music conventions including The Midwest Clinic, National MENC, and Honor Orchestra of Texas. She is lead author of "Orchestra Expressions," a comprehensive orchestra curriculum published by Alfred Publishing Co, Inc, "Expressive Techniques for Orchestra" published by Tempo Press and contributed to "Teaching Music Through Performance in Orchestra" published by GIA. She is an active clinician, adjudicator, and has conducted more than a dozen All-State Orchestras throughout the United States.
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