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Pre-registration is now open. Click the button below to pre-register for the conference.

Pre-register for this year's Midwest Clinic
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The 2016 registration is now open. Pre-registration rates are as follows:
$120 Early Bird Director Rate
Through Sept. 23rd
$150 Pre-conference Director Rate
Through Dec. 2nd
$85 First Time Attendee Rate
Through Dec. 2nd
$50 College Student Rate
Through Dec. 2nd


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Request a Meeting Room

Midwest Clinic is now taking requests for event space at the Hyatt McCormick Place and Hilton Chicago.

Applications

Applications to perform or to propose a clinic at the 68th Annual Midwest Clinic are now available!

Clinic Application Performer Application Exhibitor Contract Advertiser Contract Event Request Form

Making the March King: The Sousa March in Form, Style and Performance

  • LtCol Jason K. Fettig
  • 12/15/2016 08:30 AM - 09:30 AM
  • Skyline Ballroom W375AB
  • Second  clinicians thumbnail image
  • Patrick Warfield
  • Patrick Warfield is a specialist in American musical culture. His current research focuses on music in Washington, D.C. during the late nineteenth and early twentieth centuries, with a special interest in the American wind band tradition. Dr. Warfield has presented at conferences and meetings of the American Musicological Society, the Society for American Music, the Gesellschaft zur Erforschung und Förderung der Blasmusik, and the Nineteenth-Century Studies Association. He has delivered keynote addresses at the North American British Music Studies Association and the Frederick Loewe Symposium on American Music, and has served as a speaker at the International Conference on Nineteenth-Century Music and the annual American Band History Conference. His publications have appeared in The Journal of the American Musicological Society, American Music, The Journal of the Society for American Music, and Nineteenth-Century Music Review. He recently completed the edition Six Marches by John Philip Sousa for the series Music of the United States of America and a biography of Sousa, entitled Making the March King, published by the University of Illinois Press. Dr. Warfield was a founding member of the editorial board of The Journal of Music History Pedagogy, and is especially interested in the teaching of American popular music, including rock, jazz, and the blues. He is also active as a public musicologist, delivering programs for the Music Center at Strathmore, the Washington National Opera, and the Smithsonian. In addition to his position in the School of Music, Dr. Warfield is an affiliate faculty member in the departments of American Studies and African American Studies.
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