Friday, December 19 |
8:30 a.m. - 9:15 a.m. |
Dodgen Middle School Chamber Orchestra Ashley Culley, Director W190
Kerr Middle School Honors Band Catharine Klein, Director W375E
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8:30 a.m. - 9:30 a.m. |
Desert Winds Charles Maguire, Director W375AB
Elkins High School Percussion Ensemble Christopher Dial, Director W184
Clinic An IDEA in Action: Composer Reflections on Their Journey to Writing for Winds Gabe Musella, clinician UIL Kevin Day, clinician UC San Diego Sponsored by the American Bandmasters Association IDEA Committee, this panel discussion with composers will delve into their reflections and influences that led them to compose music for the wind band. W181
Clinic Bach to Basics: How to Make Your Band Sound Like an Organ Keysto Stotz, clinician Skiatook High School Bobby Kitchen, clinician Skiatook High School This clinic will be focused on what band directors mean when we tell our bands to "sound like an organ". Presented by a band director/organist, this clinic will be focused on using organ-playing techniques to think differently about sound, balance, and intonation. I will use the examples of works by J.S. Bach and relate each Bach piece to a modern band work. I have also chosen selections ranging from Grade 3-Grade 5 for small school directors to relate to a wider audience. W183
Clinic Empowering Music Educators Through Mentorship: Pathways to Professional Growth, Retention, and Longevity Matt Koperniak, clinician Fulton County Schools Josh Byrd, clinician University of West Georgia Dexter Bailey, clinician Creekside High School Myah Dickerson, clinician Elkins Pointe Middle School Jessica Thomas, clinician Hopewell Middle School Music teacher mentoring plays a crucial role in the growth and development of educators. This session will empower attendees to develop a meaningful and sustainable music teacher mentoring program in their own networks. Presenters will share proven strategies, challenges, and solutions through a panel discussion with teachers in varying career stages. All are welcome, from early-career educators seeking a mentor to experienced teachers and administrators looking to support the next generation. W185
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10:00 a.m. - 11:00 a.m. |
Clinic A Conversation with Ray Cramer: One Person Makes a Difference Tim Lautzenheiser, clinician ConnSelmer, Inc. Ray Cramer, clinician Indiana University The clinic will focus on the importance of ONE PERSON and the impact it has on the decision-making of another individual. This is a legacy story that needs to be heard by everyone in the music education world. Had it not been for the band director Mr. Zimmerman, would we have a RAY CRAMER and all of the treasury of benefits Mr. Cramer has brought to the band community? Each time any director/teacher thinks he/she is NOT important, we should recount the story of Mr. Zimmerman and Mr. Cramer. W181
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10:15 a.m. - 11:15 a.m. |
Clinic 30 Performance Tips for Concert Bands Robert Sheldon, clinician Composer Heather Meier, clinician Based on the techniques Robert Sheldon has most frequently used while conducting 1,200+ ensembles in North America, Europe, Asia and Australia, these tried-and-true concepts provide a quick reference guide for band directors. W183
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11:00 a.m. - 11:45 a.m. |
Pearland Junior High West Honors Band Meredith Bishop, Director W375E
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11:15 a.m. - 12:15 p.m. |
University of Tennessee Percussion Ensemble Andrew Bliss, Director W184
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11:15 a.m. - 12:30 p.m. |
VanderCook College of Music Symphonic Band Alexander Kaminsky, Director 375AB
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11:30 a.m. - 12:30 p.m. |
Clinic Building Skills for Music Industry Careers Beyond Performance Carolyn Grant, clinician NAMM Foundation Heather Mansell, clinician Yamaha Corporation of America Bryan Powell, clinician Montclair State University, Music Will Jennifer Witt, clinician Sweetwater Sound, Inc. Industry leaders from Yamaha, Sweetwater, and Music Will explore academic and professional pathways to non-performance careers in music. Aligned with the NAMM Foundation’s Careers in Music initiative, this panel highlights how educators can guide students to study music while developing essential industry skills. Panelists will share insights from manufacturing, retail/eCommerce, and nonprofit sectors, demonstrating the diverse career opportunities available in the music industry. W185
Clinic Expanding Access: Engaging Rural Music Students Through Popular Music Ensembles Bryan Powell, clinician Montclair State University Traditional band programs can be challenging in rural schools due to small class sizes and limited resources. This session explores how popular music ensembles can provide engaging, flexible, and student-driven alternatives. Learn practical strategies for implementation, curriculum design, and advocacy to expand music opportunities in rural communities. W179
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11:45 a.m. - 12:45 p.m. |
Clinic A Heretic’s Guide to Musicianship Presents: The Fundamentals of Interpretive Expression Kevin Noe, clinician A Heretic’s Guide to Musicianship It is often said that “real musicianship is instinctive” and “interpretation cannot be taught,” but this heretic says…nonsense! The fundamentals of interpretation and musical expression absolutely can be learned, and it should be happening in every rehearsal and music classroom every single day! Presented in an interactive audience demo with a live ensemble, this session offers audible, musical proof against such heresy! W190
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1:00 p.m. - 2:00 p.m. |
The Moanin' Frogs The Moanin' Frogs, Director W183
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1:30 p.m. - 2:30 p.m. |
Las Vegas Academy of the Arts Jazz Band Patrick Bowen, Director W196
Ronald Reagan High School Symphony Orchestra Sixto Elizondo, Director W375E
Clinic A Space to Grow: Considering Psychology and Understanding to Foster a Curious, Collaborative, and Effective Rehearsal Hunter Kopczynski, clinician University of North Carolina at Charlotte Simon Holoweiko, clinician Louisiana State University In the field of educational psychology, rehearsal is a “cognitive process in which information is repeated over and over as a possible way of learning and remembering it” (Ormrod), a literal “re-hearing.” This session considers how to deliver information that engages our students and creates a motivating environment for growth through sequence, feedback, curiosity, and reflection - understanding the why behind curricular and musical decision-making that prompts curiosity from your ensemble. W181
Clinic Baton and Breath: Leading with Passion Steven D. Davis, clinician University of Missouri-Kansas City Jennifer Sengin, clinician University of Missouri-Kansas City Great music-making goes beyond notes and rhythms—it thrives on energy, emotion, and connection. This session explores how the conductor’s baton, the performers’ breath, and the power of singing unite to create expressive, powerful performances. Learn how to inspire dynamic shaping, deep musical communication, and passion in both band and choir. W187
Clinic Beat Burnout: 5 Key Changes to Address It, Recover From It, and Prevent It Lori Schwartz Reichl, clinician Making Key Changes, LLC Loved ones, colleagues, and students feel overwhelmed, underappreciated, or overextended at home and in the workplace, causing burnout to be challenging to manage in both environments. The boundaries between work and home can be blurred, causing an overlap of stress that creates a cycle hard to break. The impact on health may lead to decreased productivity, lower morale, and strained relationships. Discover 5 key changes to beat burnout, by addressing it, recovering from it, and preventing it. W179
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2:00 p.m. - 3:00 p.m. |
Trinity High School Percussion Ensemble Manny Flores, Director W184
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2:15 p.m. - 3:20 p.m. |
Vista Ridge High School Wind Ensemble Robert Herrings, III, Director W375AB
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2:45 p.m. - 3:45 p.m. |
Cinco Ranch High School Sinfonia Brett Nelsen, Director W190
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3:00 p.m. - 4:00 p.m. |
Clinic A School Cancelation Will Never Surprise Me Again! Long-Term Rehearsal Planning Caroline Hand, clinician University of Oklahoma Eric Wilson, clinician Baylor University Students have music. Performance dates are in their calendar. Let's make music! But wait! A fire drill interrupts class; then out for testing; a field trip in the science department! Will we ever be ready for that performance?! We look at planning an entire rehearsal cycle with an easy-to-replicate formula, complete with disruption days! The plan also includes what music and concepts to focus on which days so you can be worry-free by the time the performance arrives. W179
Clinic Clarinet vs Bass Clarinet: The Long and the Short of It Robert Spring, clinician Arizona State University, School of Music, Retired Stefanie Gardner, clinician Glendale Community College Joshua Gardner, clinician HIDA School of Music, Arizona State University Moving students from soprano clarinet to bass clarinet, or the other way around, is always a problem for the students and the teacher. This clinic gives and demonstrates concrete methods to help your students be successful on both instruments. We help to reduce the stigma of bass clarinet being reserved for the lesser students and give specifics for each instrument. These include embouchure, tongue, instrument placement, studies and fingering suggestions for each instrument. W185
Clinic Creating Student-Centered Rehearsals Through Mindful Listening Jason Missal, clinician The University of Utah Often in rehearsal, we as educators/conductors place too much responsibility on ourselves and not enough on our students. We want to foster independence in our students so they can bring an informed and creative perspective into rehearsals. Through mindful listening techniques, we can empower our students to be more involved musicians and evaluators in the rehearsal process and thus more invested in the performance outcomes and their individual importance as a member of the ensemble. W187
Clinic Cultivating Collaborative Musical Expression in Instrumental Ensemble Rehearsals Kim Fleming, clinician University of Illinois Mike Vecchio, clinician University of Illinois Urbana-Champaign This session will outline strategies for cultivating collaborative musical expression in secondary instrumental ensemble rehearsals. We will explore the importance of promoting divergent thinking in ensemble rehearsals, approaches for establishing a creative classroom environment, and rehearsal strategies to engage students in collaborative interpretation. Attendees will participate in discovering collaborative expressive musical opportunities through character, text, and imagery. W181
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3:45 p.m. - 4:45 p.m. |
Newfound Chamber Winds Tyler Austin, Director W183
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4:00 p.m. - 5:00 p.m. |
Caliente Jose Diaz, Director W196
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4:15 p.m. - 5:15 p.m. |
Brass Band of Louisville Jason Cumberledge, Director W375E
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5:30 p.m. - 6:45 p.m. |
Northshore Concert Band Mallory Thompson, Director W375AB
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